the project has a always maintained a clear distinction between the outside surface of the wrapper (dark) and the
inside surface (light). the angled ceilings of the interior are clad in a lye-bleached wood while the exterior is
painted white wood so that the underside reads as a continuous surface from inside to out. the detail at the
fascia edge where it met the wood needed to be as tight as possible so that the outline of the form felt like a
single extrusion. we went back and forth on whether the wood on the vertical surfaces (walls) should run
horizontal or vertical and ultimately decided to run the wood continuous with the slat screen.
